“The curator of a diverse, troublesome and changing art, surely needs to begin from a position of doubt and uncertainty, or, indeed, from a position of listening. The curator qua expert is someone who knows in advance what is art and what is good for art. The curator qua listener is trying to find out what a particular piece of art might need. That is, what this latter curator might do is going to be determined by entering into a reciprocal and collaborative relationship with artists. A condition for this possibility is the independence of the curator from institutional and established ties, both contractual and ideological.”

Inconsequential Bayonets | A Correspondence On Curation, Independence and Collaboration with Dave Beech | For the book ‘Curating Subjects’ edited by Paul O’Neill | 2005